It’s amazing what a relief it is to have decided already that I won’t have a new book out until mid-2018. For the first time in five years I feel I can step back a little and not be plunged immediately into the research and planning of a new book, while simultaneously up to my ears in promotion of the last one. This time I can do the usual round of WI meetings and library groups and still let my mind roam freely around ideas for the next project.
The new book will be a project, of course, but before I get deep into it I’m thinking in greater detail about a new way of presenting at least some of the books on my growing backlist. I’ve done the paperback and the ebook for each book in my original trilogy – Between the Mountains and the Sea – and now I want to do them as audiobooks. It’s been on my mind for a while, but hitherto discounted as too difficult, or too expensive and risky. Now I have the time to break down the audiobook challenge into its component parts and see if I could actually manage it.
The first step came from a casual conversation at our weekly coffee catchup about some very popular local slide shows and where the voiceovers are recorded. A phone call and a few emails later I visited the studio just twenty minutes from my home, to meet the man who owns and runs it. It was a really impressive set-up, and I had the chance to discuss the detailed practicalities of abridging and reading the books myself, to make each one – if possible – fall within the number of minutes on a disc. And would CDs be the best option, given the recent advances in the technology? I have to be careful that in going for the latest technology I don’t put the product beyond the reach of many of my potential audience.
If I take the CD route, each disc has a maximum running time of 80 minutes: how many discs would I need for each book? If it’s more than three, it gets cumbersome and more expensive, but could I abridge sufficiently to manage a running time of 240 minutes without sacrificing the integrity of the story? I’ve already tried abridging the first book ‘A Good Liar’ and the first cut is relatively easy: there are some sentences and even the odd paragraph that can be cut with too much damage to the story, but after that it gets really tricky. On the first attempt I managed to cut a fair chunk of the text, mainly descriptive details of setting and some extended dialogue, but would that be enough to achieve the time limit overall? Very hard to judge: the only thing to do is to ‘edit/abridge’ the whole book, check how many and what proportion of the words have been removed relative to the whole word count, do some basic sums and see whether it would fit in the 3 CD target. Abridging is always a wrench, and could be annoying for the reader, but at least if my text is abridged it will be done by the author, who is in the best position to know how it should work.
The next decision I needed to make was about whether I could read it myself, and here again the only answer is to try it and see. So I went into the studio, put on the headphones, took my cue from the man at the console and read for five minutes from the abridged copy of ‘A Good Liar’ that I’d already worked on. I managed the reading – although the wonderful microphone picked the rustle of turning pages – and enjoyed it, and was given the demo disc to take home. There are many more practical hurdles to be considered: costs, time, how many to produce, where and how, packaging, promotion, distribution. It’s all pretty outfacing. It would help for a start that I could find the courage to listen critically to the demo disc, but I haven’t found the courage to do that yet! When I finally take that plunge, I hope I feel I can do this job, because I really want to. If I can sort out all the decisions and embrace the adventure of the audiobooks, it could be so much fun!