How important is ‘the horse’s mouth’

 

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‘The horse’s mouth’…where did that phrase come from? And how did it come to mean ‘authentic first-hand information’? However that happened, I’m learning yet again just how powerful such information is when writing a story set in the recent past.

The first novel I wrote was set in 1937, too far back for me to find real people to talk to about how they lived their lives, and I had to be content with first hand accounts in print. The next one, set in 1947, lent itself to listening to people who were around at the time and had stories to tell. I also found the transcript of the National Coal Board’s enquiry into the pit accident in Whitehaven in August 1947 which provided first hand testimony in the witnesses’ own words. By the time I reached the third novel, set in and around the Windscale nuclear power plant in 1957, I was able to find loads of people who remembered the reactor fire there in rich detail, as well as Youtube footage and other contemporary accounts.

The first two crime novels, ‘Cruel Tide’ and ‘Fatal Reckoning’ were set locally but dealt with the issue of institutional child abuse, of which they were no cases from my chosen area that I could draw upon. I relied instead on the report of the enquiry into events at the Kincora boys’ home in Belfast, and the news items that are painfully frequent as historic cases are uncovered.

The novel I’m working on now is set during the 2001 foot and mouth outbreak in Cumbria. There are two sets of factual details I have to get right. One is about the disease itself and its impact on the area. The other is about methods of policing at that time, so that I can ensure that the ‘crime detection’ aspects of the novel are accurate. Family dramas are as old as the hills, but the contexts in which they play out change with the times.

The historian in me loves digging around to find the the best information, and although books and online research are useful there’s really nothing as rich or satisfying as listening to people who lived through the events I’m describing. So far I’ve talked in depth to two CID people who were serving officers in Cumbria at that time, a local vet who played a significant role right through the FMD outbreak, and a man whose job it was to value the farm animals before they were killed. Incidentally, some of the animals were actually free of the disease but were victims of the need to prevent its spread. The memories of my interviewees are raw: it was both cathartic and painful to share them with me. Next I’ll be talking to another person, who liaised with the army and the Ministry of Agriculture, Fisheries and Food (as it was in 2001), and to a forensics expert who was professionally active at that time.

The end product of all this activity will be a novel which will also hopefully be a chronicle of a particular time and place, and a community in crisis. This is the community I will live in for the rest of my life and it’s very close to my heart. I owe it to the people here to get it right, and to weave the fictional story and the factual background together in a way that does justice to both. It’s the people, – their memories, their insights and the words they use – that bring life and authenticity to the writing. It’s also one the most fascinating part of my various writing projects, and I’m really grateful to those who are willing to talk to me.

And I still don’t know how and why it came to be known as ‘straight from the horse’s mouth’.

Do you?horse-289x300

 

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Simplicity is seductive

Who remembers good old Sergeant Dixon, courteous, uncomplicated, with his files and his big black phone, solving crime through listening to people and figuring things out?

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Those were the ‘good old days’, before DNA and computers and CSI forensics, when policing was simple and villains were wicked and the death penalty was still the ultimate deterrent and women knew their place.

I’m thinking about the setting of a new crime series. The choice of place is easy, it has to be Cumbria. But time? Personally I prefer the present day to previous decades when oppression of various kinds was more widespread, but as a crime writer I’m attracted by the relative simplicity of policing in the past. I want my main detective to be female, but that’s unrealistic in the days before the late eighties when it was finally accepted that female police officers might be given more to do than making the tea. But I also want to avoid some of the more clinical and technical aspects of contemporary policing which radically affect both the research and the plotting. There must be a window of opportunity between these two. It would be really interesting to focus on the early days of women in CID in Cumbria, in which case I need to talk to some of those early pioneers and get their stories. That would be a worthwhile exercise, no matter what plots ideas flowed from it.

At the same time as I’m considering all this I’m watching the Brexit decision and all its implications. Today I saw the figures on the close correlation between those in favour of the death penalty and those wishing to leave the EU. And there’s a piece in the Guardian about ‘false binaries’, another way of saying that the best choices are rarely just one solution or another, which is one reason why the EU referendum was so flawed in both process and result. Real life, personal, social and political, is always complicated and pragmatism is an under-rated virtue. President Obama has maintained a good balance of principle and pragmatism, in my view, but I’m not optimistic about political leadership in the UK right now. They say we get the political leadership we deserve. We must have done something really bad.