The reader who approached me at a recent library talk waited until the end of the event and spoke to me quietly. “I really enjoy your books,” she began, and I could tell there was a ‘but’ on its way. “But, I’ve noticed a few mistakes, nothing major, just little things….lots of little things.” My heart sank, but I rallied and mumbled something about the odd inevitable proof-reading problem. “Could you let me know what you’ve found?” I asked her, and thought not much more of it, until the copy of the book in question arrived with the errors painstakingly marked up and a forest of little stickers marking the pages to be looked at.
I am slowing recovering from the shock and embarrassment of what was revealed. Even when I found the delicate pencil stroke in the margin and looked for the error it sometimes took two or three attempts to even see it. They were little things: often an extra or missing short word, and eyes reading quickly for the sense of the sentence floated over without registering it. Very few readers have mentioned the errors to me, and I must have read the offending sections many times and never noticed either, but it’s still unacceptable in properly published material.
Crying and spilled milk come to mind. The book is out there, and the inquest among the editorial team has begun. All of us recognise how the errors have happened, mainly because the people trying to proof-read have been involved in the development and drafting of the story right from the beginning. Familiarity hasn’t bred contempt, just a failure to see each word on the page separate from the context that we all know so well. It has taken a fresh reader, who must read more slowly and carefully than me, to spot what we couldn’t see. I’m very grateful to my amateur proof-reader, and have told her so. She could have been aggressive about it and got my defences up, but her approach was perfect and it worked. If she’s prepared to proof-read all my previous books before they go for reprint, I’d be delighted.
As a self-published author I have the same responsibilities to my readers as a traditional publisher. If it costs more money – probably an additional £400 or so – to hire a professional outside reader for the second proof read immediately before printing, and if that process takes a week or two on top of an already tight schedule to publish one book a year, well that’s what it has to take, and it will be done.
Advice to self-publishers? Don’t cut corners on proof-reading, and don’t try to do it yourself. Once the book is out there with your name on it, the mistakes will haunt and taunt you. Your reputation and your readers deserve the best. Mea Culpa.