First draft: edit as you go, or plough on?

A few days after getting back from our long trip, my sense of urgency about the first draft of book 4 was overwhelming. I had an outline, or thought I did, which had taken weeks to develop and looked as if it would carry me through the first draft. So I began at the beginning, avoiding the trap I’d fallen into earlier of starting with scenes I was most excited about, regardless of chronology, and hoping I would piece it all together later. That way madness lies, for me at least. So Chapter 1 it was, and then on to chapter two, then three. So far, so good. But by now the inadequacies in the outline were beginning to show. Threads had been left hanging, by default not be design, some actions seemed implausible, minor characters said unexpected things and threw the storyline around. 

I stalled, went back, fixed some of the difficulties, re-wrote the outline for the next few chapters and continued. By now all sorts of unexpected things were happening, and the urge to go back and tweak previous chapters to fit in with the current direction was slowing me down. Of course there would be some inconsistencies and things to be fixed, but remembering them was the first challenge and finding them in the text was even harder. Why did someone decide they had to Gateshead? Where did Gateshead come from? In desperation I tried ‘Find; Gateshead’ but that didn’t work. I’d have to go back and re-read all the previous chapters to track it down. 

After a number of such frustrations I decided that tweaking things as I went along would ruin the sense of forward momentum that had been turning up such unexpectedly good scenes. This was a first draft, that would be read with care by my trusty editor and annotated in detail to guide the essential re-write that would have to happen anyway, however much fiddling around I’d already done. I’m finally doing what my editor advised me to do in the first place: just crash on through the first draft, amending the outline as necessary as I go, keeping track of plot and all the other threads as well as I can and put it right, all at once, in the second draft rather than ‘toing and froing’ and driving myself nuts.

With that in mind, at least the chapters are rolling along nicely and the fleshing out of the story keeps turning up things I’m happy with and had not anticipated. Which is good, isn’t it? I just wish is wasn’t keeping me awake at night.

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