About ‘noticing’

In the past few days I’ve met many new people, re-connected with friends I’ve not seen for years and heard so many stories, told in many different voices. Half my mind has been on the content of our conversations, but I’ve also been noticing habits of speech, how people walk, all sorts of things about them that I’m storing away to use in future. People won’t reappear in my fiction as complete replicas of those I’m seeing around me. I’ll take a turn of phrase here, a posture there, an over-heard snippet of conversation and many other apparently trivial observations, stir them up and leave them for a while. Then I’ll discover which details bob to the surface when next I’m creating a fictional persona. My memory may need a jog, so I’ll make a few notes:  just a hint – a smell, a hand, a scar, a voice – an impression to spark a later response.

It’s clear to me that these observations have always been part of my fascination with people, but I’m now more specific and intentional in my ‘noticing’. And I’m more curious too, about the backstory and how and why someone’s idiosyncratic characteristics have developed. Give your imagination space to play and you can capture so much interesting stuff. Even if I’m not sure yet about the plot and shape of Book 4, I’m beginning to find some of the characters, and consider how they may react and behave in challenging circumstances.

I think I already have the central character. She is someone I already ‘know’, with a rich backstory already in place. Now I have to find the people around her, or against her, and provide the circumstances in which all them can reveal who they really are. Once the final painstaking stages of publishing Book 3 are behind me, then I can let the fun part of Book 4 really start. It won’t be long.

 

 

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